后会
本站遵守互联网版权法则,已不提供在线播放功能,如需观看→请点击这里观看!
有期

镜子的另一面:纽波特民歌艺术节1963~1965

剧情  美国  2007 

镜子的另一面:纽波特民歌艺术节1963~1965电影剧情介绍

YY90影院 8090新视觉 6090青苹果影院 yy6029影院 90影院 韩剧网 影视娱乐 斗罗大陆免费完整观看 回复术士的重来人生 樱花动漫 南瓜影院 快看影视 影视大全 电影天堂 南瓜影视 南瓜电影 电影网 热门电影 最新电影 万达影院 飘花影视 神马影视 秋霞电影 飘花电影 电影港 奇领yy6080影院 小狐TV 西瓜影视 骑士影院 青苹果影院 草民影视 天狼影视 八哥影视 影视大全 托梦解梦 麦苗影院 雅酷高清 火神影视网 漫漫看影视剧 第一社 泡泡影视网 达达兔电影网 星辰影院 金科网 追剧易 58影视 91看剧网 2345影视大全 极速影视网 面包网 沙漏电影网 邵氏电影网 小狐TV电视剧 追心美剧网 6080私人影视 80s电影网 咪咕影院 葡萄电影网 奇优影视 搜狗影院 窝豆网 野牛电影网 123影院 256影视 4399电影网 第八看剧网 韩剧TV网 淘剧电影网 樱花动漫网 丫丫美剧 杂拌网 万利达影院 天一影院 Pkuedp电影网 破晓电影网 片库网 花瓣影院 电影天堂 策驰影院 爱雅电影网 54电影网 全视频TV 三五电影网 80影院 晨光影院 电影盒子 烽火影视大全 黑鹰电影网 黑夜影院 乐看影视 漫漫看电影天堂 无为电影网 墨墨影视 觅觅网 海鱼儿电影网 窦哥视野 扫黑风暴 云南虫谷在线观看 影视在线网 毒蛤蟆影院 优特电影网 ck电影网 41影视 悠久影院 天天影院
飘花电影网提供《镜子的另一面:纽波特民歌艺术节1963~1965》720p在线播放,《镜子的另一面:纽波特民歌艺术节1963~1965》DVD版下载,《镜子的另一面:纽波特民歌艺术节1963~1965》百度云,《镜子的另一面:纽波特民歌艺术节1963~1965》完整高清未删减版,《镜子的另一面:纽波特民歌艺术节1963~1965》HD1280/HD1080p/BD720P/BD1080P/百度云蓝光高清版/在线观看

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

本站只提供WEB页面服务,不存储、不制作任何视频, 不承担任何由于内容的合法性及健康性所引起的争议和法律责任。

Copyright 2009-2020

统计代码